What many may not see is the full scope of what it takes to bring a mural like this to life. There is the solitude of the studio — the focused, often quiet phases of creation — the precision of the brushwork, the endurance of installation, the finishing touches, and the careful sealing that protects the piece for years to come. While much of the process requires deep personal commitment, I’m fortunate to have the support of an incredible team of assisting artists who share a dedication to integrity and fine art excellence. Their contributions are essential in helping me bring these large visions into reality.

At the heart of this work is the belief that public art is a vital force for connection. It is a universal language — it doesn’t discriminate, it belongs to everyone. Public art bridges the gaps between people, bringing us together across age, race, and class. It cultivates a shared sense of belonging and sparks the ripple effects of care and community.

This mural was also deeply personal for me. My father, Philip Hagopian, instilled in me the values of integrity, creativity, and connection — a legacy I carry with me into every project. I was honored that both he and my sister, Shakeh Hagopian, traveled from Vermont to contribute their talents to this piece. My son, Kai Williams, is not only featured in the mural, but also helped paint the octagon pattern alongside our dear friend and family, Kadence Houston. Having Kai in the studio — participating, observing, and creating — made the process even more meaningful. The studio became a vibrant, creative space where we shared months of intense focus, artistic exchange, and the kind of connection that can only come from making something together.

I am especially grateful to Helen Harvey, who has been in it with me through this project and many others over the past three years, since the first day she walked into my studio. As we move into our fourth year painting and growing together, her integrity, our familial connection, and her amazing hard work continue to mean everything to me. I also deeply appreciate the contributions of Arthur Haywood, who painted the portraits of the police officers and shared thoughtful conversations with my father in the studio. Garrett Cook, Michael Walker, David McCall — who worked not only on painting but also played an essential role during installation with his attention to detail and physical stamina — all helped bring this vision to life.

I want to thank Bucks County and every individual who participated, whether through ideas, workshops, or painting. And I thank my son, Kai, for being with me through every part of this journey — from the time he was a baby on my back while I painted, to now, creating alongside me.

This mural is a reflection of community, connection, and the power of art to bring us together.

I’m proud to share it with you.